[Driving around Lake Harmony last autumn, likely my temporary home in May]
It is 11:05p.m. on a Monday night, and I didn't have to be anywhere or do anything film-related today, and other than making a couple phone calls and/or emails, I don't have to do anything film-related tomorrow, either. It is quiet as a tomb (if a tomb had two little dogs sniffing around, and was located on a rather busy Baltimore street) in my apartment. It is nice. I got the whole way through a movie ("Stranger Than Fiction") without the phone ringing once or even beeping with a text message. Ah, bliss.
But it won't last for long - the quiet, not the bliss. Bliss comes in many forms, for a Gemini like myself. Wednesday I am finally back on the set with Steve Yeager's project, "The Rosens", filming in Towson Diner and Bel-Loc Diner. Should be good. Thursday and Friday, filming in D.C. on a new short written and directed by my friend Mark Aguirre, called, "Rock Creek". It is good to stay busy, though after "Rock Creek," wraps, I can't take on any other film projects until I move at the end of April. I have too much to do.
We wrapped principle photography on "Lamplight" Sunday night. It was bittersweet, at least to me, but I think to most everyone actually. We had a really good cast and crew, everyone got along beautifully and we had a lot of fun. We have a few more pick-ups, but we can only do one scene now, have to wait for Johnny Alonso to get back into town, probably in May, to finish the other shots. He is busy on several different projects all over the world (literally) between now and then, mostly with his television show "NASA 360" which airs on the Discovery Channel.
After knowing Johnny peripherally for a couple years (we know lots of the same people, but had never really worked together, just run into each other at various screenings) not only do we get to work on a set, but we get to be in a scene together, which we shot last night. Speaking as an A.D., Johnny is a total pro and a pleasure to work with, but speaking as a non-actor who had to act in a scene with him, I can't even explain to you how many extra miles he goes for the scene, and for the people he is working with. What am I talking about? Of course I can! That's what I do!
As I have said before, I am not an actor, but taking on a small role now and then helps to keep me on my toes and helps me to be a better director by putting myself in the actor's shoes. My role(s) in "Lamplight," however, were the first time that I was not playing myself or a character based on myself. It was concurrently more fun and more nerve-wracking that way.
I had three scenes total, two as the lead character Perry's mother in flashback scenes, which we shot earlier in production. In those scenes it was a very small set, and I was
fairly comfortable though still a little nervous. We shot one scene Saturday night that was a hoot in some ways and horrifying in others. The horrifying part was that I had to say mean things about a little boy, and that really was not easy at all, but Jason walked me through it beautifully. The fun part was that I got to be in a scene with Regina Guy (now we have starred in two movies together, this and "The Red-Headed Menace"!), and also this hilarious, pure(in?)bred Baltimorean named Butchie. Zinnia Films made a documentary about Butchie called, "Southside Survivor," that hopefully will be screening within the year. I've seen some clips and it is fantastic. It was a treat to meet Butchie and play opposite him, even just for a couple lines. He had me and Regina laughing so hard it was difficult to do the serious part of the scene after he left, but we managed. Butchie (and a 6-pack of Natty Boh, and a couple shots of Amaretto) helped me to relax and I think I did all right.
During my close-up, at the end of one of the takes, I was laughing. I was a little bit drunk at this point, if I am to be honest. I told Jason way back in January after I read the script for the first time, that if it was all right with him, I'd rather actually be drinking than trying to act drunk, as I don't trust my skills that much yet. In the script there is some flashback stuff where the mother is laughing and I knew we would have to do that at some point. It is so hard to fake laugh without it seeming fake! But at the end of this particular take, I was really laughing, and Regina was sitting across the table from me. The camera was close on me, so it didn't matter what she did, she just couldn't make any noise. I knew if I kept it going, honestly laughing, that Jason would let me roll with it and then I wouldn't have to fake it later and have it be awful. Me laughing was causing Regina to laugh but she had to stifle it, which made me laugh even harder... which made her want to laugh even harder, which made me laugh even more than that, which made everyone in the room have to control themselves from laughing, which made me laugh so hard and so long before Jason finally yelled, "CUT!" that I am sure my face was turning red and I was breaking into a sweat. I even had a bit of a head rush and had a headache for a few minutes.
I don't know how it looks because I don't want to see it for awhile, and I especially did not want to see myself on camera before gearing up to do the scene with Johnny yesterday. Very rarely does any good come out of showing the actors their dailies (footage) before production is wrapped, in my opinion. If an actor asked me to see their footage, I would say no, so I was not about to break my own rules and ask to see it. Even when Dave was playing back some of it on his Macbook Pro the next day, I walked away so I couldn't see it. But I could hear them playing the part where I was laughing, and at least it sounded authentic, which it damn well should have! I almost busted a blood vessel!
Anyway, in my scene with Johnny, I play a bar owner that reminds him of his mom and he loses his shit on me. He blew up at me and it was great, and for his close-ups he looked totally insane. I think he freaked some of the extras out. When it came time for my close-ups, we did it once with Johnny feeding me his lines and it felt pretty good but I could feel myself anticipating too much and I was afraid it didn't look great. Plus, because of where the camera was, Johnny couldn't actually sit in front of me, so I had to look where he had been sitting and pretend I was looking into his crazy eyes like I was in the wide shot, even though he was standing a foot to the right of that spot. For the second take, I asked Johnny, I told him I needed him to really flip on me to get a real reaction, because this just isn't what I do. Johnny is always conscientious of the other actors in his scenes so I knew he would only take it as far as he thought I was comfortable with (which was still pretty far), but I also knew if I gave him license to totally freak on me he would bring it. He screamed at me like a maniac, and afterwards Jason said my reactions looked great. He honestly did shake me up a bit.
But now it is over, pretty much. It is good to have other projects in the wings, to ease me out of production mode day by day over the next two weeks, but "Lamplight" was really special, even to the point of me second-guessing myself about where I am going and what I am doing. Now I have even more, new, friends telling me they don't want me to move away, or telling me they are sad that I will be moving so soon after meeting me... and maybe even some who won't bother getting to know me better because I will be leaving so soon. It is only to New York, I tell them. It's really not that far.
That is what I have to keep telling myself, too. Damn my Gemini self. One part of me can't wait to launch a new adventure. My other internal half is hoping that something or someone will make it impossible to leave. I don't want to cop out due to my fears, and I do have some. I am starting to remember how I felt when I first came to Baltimore, not knowing one single person here, and leaving an incredible, tightly-knit group of friends behind in D.C. My first six months in Baltimore were excruciatingly lonely, and many nights I laid in bed wondering if I had made the biggest mistake in my life. There was nothing terrible in D.C., nothing that drove me out of there. I missed my friends so much sometimes it made me physically ill. But moving to Baltimore, did, in fact, turn out to be one of the
best decisions I ever made in my life.
Well, we shall see what happens. Nothing is in stone. But... I can't wimp out, either. I couldn't face myself if I felt I was wimping out. I am feeling very confused at the moment, and I am certain that Post-Production Depression is playing a part in that confusion. I have plans to go up to Mikey's cabin one weekend next month. I have to first drive to my hometown to bring some stuff to my Mom's for her to store for me. Then I am going to snag my best friend from high school, Lauren, and take her to the cabin with me, to get us each a weekend away from our respective responsibilities, as well as some fun time together, which we haven't had since last August. I think it will help me put things in perspective. Being at Lake Harmony always helps me to sweep the cobwebs and confusion from my brain, and at this crossroads in my life, I think it is most appropriate that Lauren come along for the ride, and even more appropriate that this getaway take place at Mikey's cabin. I have known Lauren for almost three decades; I have known Mikey for almost two. For all but a few years of that time, I have not lived in the same area as either one of them, but they are and I am certain shall remain for the rest of our lives, two of my very, very closest friends. I know what I want and I need to make some decisions about where the best place is for me to be, geographically speaking, to get it. I have to trust that a little thing like geography won't interfere with my personal relationships. They might take a little extra effort, but it
IS only New York.
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